13.12.08
12.12.08
season's greetings
...even for few hours.
may the force be with you
Copyright © Demetrios the Traveler
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17:53
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4.12.07
АнныАхматовой / ΑΝΝΑ ΑΧΜΑΤΟΒΑ / ANNA AKHMATOVA
ΜΟΝΤΙΛΙΑΝΙ ΠΑΡΙΣΙ 1911
Anna Akhmatova - Wikipedia, the free encyclopedia
Anna Akhmatova (June .... Anna Akhmatova's Grave in Komarovo (photo by Aleksandr E. Bravo) ... URL=http://en.wikipedia.org/wiki/Anna_Akhmatova
Anna Akhmatova
Anna Akhmatova was born Anna Gorenko in Bolshoy Fontan, near Odessa, Ukraine, as the daughter of a naval engineer. She began writing poetry at the age of 11 ... URL=http://www.kirjasto.sci.fi/aakhma.htm
A COLLECTION OF POEMS BY ANNA AKHMATOVA
Anna Akhmatova is the literary pseudonym of Anna Andreevna Gorenko. Her first husband was Gumilev, and she too became one of the leading Acmeist poets. ... URL=http://www.poetryloverspage.com/poets/akhmatova/akhmatova_ind.html
Poets.org - Poetry, Poems, Bios & More - Anna Akhmatova
Anna Akhmatova Page
Tons of WWW Links About the Russian Poet Anna Akhmatova (1889-1966).On the WWW since 1995.
Anna Akhmatova
A two-volume edition of Akhmatova's collected works was published in Moscow in 1986, and The Complete Poems of Anna Akhmatova, also in two volumes, ... URL=http://www.odessit.com/namegal/english/ahmatova.htm
Anna Andreevna Akhmatova
First collection Evening appears under the pseudonym Anna Akhmatova, a name she takes ... "Twelve meetings with Anna Akhmatova" ("And then Anna told me. ... URL=http://max.mmlc.northwestern.edu/~mdenner/Demo/poetpage/akhmatova.html
Anna Akhmatova: Selected Poems in translation
Anna Akhmatova - Selected Poems in downloadable English translation. URL=http://www.tonykline.co.uk/PITBR/Russian/Akhmatova.htm
Anna Akhmatova, assessed. - By Clive James - Slate Magazine
Why is Anna Akhmatova's legacy important? What was shameful about Jorge Luis Borges' career? How did Coco Chanel become famous?
Anna Akhmatova — Poet Seers
Anna Akhmatova was the pen name of Anna Gorenko. She was interested in poetry from an early age but her father did not approve and this is why she was asked ... URL=http://www.poetseers.org/the_great_poets/eu/aa
Kuzma Petrov-Vodkin: Anna Akhmatova
Kuzma Petrov-Vodkin: Anna Akhmatova. Index. Access:. Copyright ©. George Mitrevski. Auburn University. e-mail:mitrege@auburn.edu. URL=http://www.auburn.edu/academic/liberal_arts/foreign/russian/art/petrov-vodkin-akhmatova.html
Altman, Nathan: Portrait of Anna Akhmatova
Altman, Nathan: Portrait of Anna Akhmatova (1914). Index. Access:. Copyright ©. George Mitrevski. Auburn University. e-mail:mitrege@auburn.edu. URL=http://www.auburn.edu/academic/liberal_arts/foreign/russian/art/altman-akhmatova.html
3184. Akhmatova, Anna. The Columbia World of Quotations. 1996
ATTRIBUTION:, Anna Akhmatova (1889–1966), Russian poet. “Wild Honey Smells of Freedom,” lines 1-4, as translated by Lenore Mayhew and William McNaughton ... URL=http://www.bartleby.com/66/84/3184.html
Amazon.com: The Complete Poems of Anna Akhmatova: Books: Roberta ...
Amazon.com: The Complete Poems of Anna Akhmatova: Books: Roberta Reeder,Judith Hemschemeyer by Roberta Reeder,Judith Hemschemeyer. URL=http://www.amazon.com/Complete-Poems-Anna-Akhmatova/dp/0939010275
Summer Reading: The poetry of Anna Akhmatova - International ...
These words are from Anna Akhmatova's poem "The Sentence," translated from the Russian by Judith Hemschemeyer. Akhmatova was a remarkable woman whose deeply ... URL=http://www.iht.com/articles/2007/06/28/athome/aread30-anna.php
The My Hero Project - Anna Akhmatova



Nikolai Tyrsa. Portrait of Anna Akhmatova. - Olga's Gallery
Portrait of Anna Akhmatova. 1928. Lamp-black on paper. 36.5 x 22.7 cm. The Russian Museum, St. Petersburg, Russia. More. Nikolai Tyrsa. ... URL=http://www.abcgallery.com/liter/tyrsa1.html
Anna Akhmatova Foundation
Anna Akhmatova F O U N D A T I O N.
Acmeists
He and Anna Akhmatova had a tumultuous marriage from 1910 to 1918. ... It is said that he wrote the poem The Giraffe to cheer Anna Akhmatova once when she ... URL=http://www.ualberta.ca/~lmalcolm/poetry/acmeists.html
Alexander Ostrovsky - Olga's Gallery
But meanwhile his father put the child under supervision of his own mother, who disliked Anna. Akhmatova tried to protest the situation, ... URL=http://www.abcgallery.com/liter/akhmatova.html
The Tribune, Chandigarh, India - HER WORLD Anna Akhmatova’s best-known sequence, Poem Without A Hero, celebrates her dead friends such as her husband, poet Mandelstam and many others who had fallen ... URL=http://www.tribuneindia.com/2004/20040418/herworld.htm
ANNA ANDREEVNA AKHMATOVA Gemini Mint's World
The Academy of American Poets - Poetry Exhibits - Anna Akhmatova Links, poems, bio, ... Anna Akhmatova Translations into English of some of her poems. ... URL=http://www.bezumiye.com/axmatova.html
The Places of Anna Akhmatova
The St. Petersburg Times newspaper site includes reporting on business, politics, news and culture in Russia and the world; an archive, employment ads and ... URL=http://it.stlawu.edu/~rkreuzer/pete13/pete13.htm
Anna Akhmatova - Selection of Poetry from Allspirit
A selection of the poetry of Anna Akhmatova including Solitude, Sunbeam and Under Her Dark Veil
Akhmatova
Portrait of Anna Akhmatova, 1914 by Natan Altman ... Anna Akhmatova Biography, "The Last Rose" · Anna Akhmatova Bibliography ... URL=http://www.geocities.com/sulawesiprince/russpoets/akhmatova.html
F&P Anna Andreevna Akhmatova
Anna Andreevna Akhmatova. (Real name: Anna Andreevna Gorenko) (1889 - 1966). The Russian Soviet poet Anna Andreevna Gorenko was born on June 11th, ... URL=http://www.friends-partners.org/friends/culture/literature/20century/akhmatova.html
Amazon.com: Anna Akhmatova: Poet and Prophet: Books: Roberta Reeder
Amazon.com: Anna Akhmatova: Poet and Prophet: Books: Roberta Reeder by Roberta Reeder. URL=http://www.amazon.com/Anna-Akhmatova-Prophet-Roberta-Reeder/dp/0312134290
Anna Akhmatova -- Encyclopaedia Britannica
Anna Akhmatova: Russian poet recognized at her death as the greatest woman poet in Russian literature. URL=http://www.britannica.com/eb/article-9005280/Anna-Akhmatova
may the force be with you
Copyright © Demetrios the Traveler
έγραψε ο
brexians
στις
13:24
1 σχολίασαν
3.12.07
23.11.07
ΓΙΑΤΙ ΡΕ ΣΕΙΣ ΚΟΨΑΤΕ ΤΟΝ ΜΠΟΜΠ ΣΦΟΥΓΓΑΡΑΚΗ;

Καλά πόσο μυαλό κουβαλάτε, στο ΕΣΡ;
Είστε με τα καλά σας;
Τον Μπομπ Σφουγγαρακη κόψατε ;
Γιατί δεν κόβατε τον άλλον τον μακρυμάλλη τον τσαχπίνη με το κουστούμι και την μαντήλα που οπού σταθεί και οπού βρεθεί την ζητά και την συζητάει;
Η τον άλλο τον σεναριογράφο ηθοποιό, που με διθυράμβους λούζετε τα τελευταία δυο χρόνια!!!
Άντε και αυτοί βγαίνουν αργά στην τηλεόραση!!!!
(Με όλα τα πρωινάδικα και μεσημεριανά σκουπίδια να τους επαναλαμβάνουν.)
Όλες τις αδελφές ψυχές που τσιρίζουν και ξεκατινιάζονται, από πρωίας μέχρι "βαθύτατης νυκτός", έχοντας γνώμη, άποψη και λόγο επί παντός και επί όλων !!!
Θα τις κόψετε;
Ή θα τις αφήσετε να ανθίσουν και άλλο;
Το GAY κατεστημένο εσείς το επιβάλατε στο ελληνικό σπίτι!
Και τώρα υποκριτές χτυπάτε για να χτυπήσετε, επειδή στην αντίπερα όχθη του Ατλαντικού ο Μπαμπ Σφουγγαράκης "εκρίθη ένοχος", -και δεν πήρε χάρη όπως η γαλοπούλα-, άντε να του την ρίξουμε και εμείς!
Τι προσπαθείτε να μας πείτε ότι κάνετε έργο και δικαιολογούνται, τα λεφτά που βγάζετε;
Χτυπάτε το GAY κατεστημένο;
Τώρα;
Μην είναι πάρα πολύ αργά;
Μια μικρή μειονότητα περίπου 0,4% του ενήλικου πληθυσμού είναι!!
Και με τις πράξεις σας την δυναμώνετε και την κάνετε να φαίνετε 10%!!!!
Μήπως, λέω μήπως είστε ενεργά μέλη της GLT κοινότητας;
Για πείτε μας;
Πάρτε θέση;
Δεν είστε;
Δεν είναι κακή ούτε κατακριτέα, η στάση του καθενός μας προς τον έρωτα!!!!
Είναι κατακριτέα η στάση η δίκια σας, προς εμάς όλους που θέλουμε να ΔΟΥΜΕ ποιοτική τηλεόραση!
ΑΝΤΕ ΓΕΙΑ ΛΟΙΠΟΝ,
ΑΝΤΕ ΓΕΙΑ
may the force be with you
Copyright © Demetrios the Traveler
έγραψε ο
brexians
στις
12:38
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ΕΠΙΤΕΛΟΥΣ !!!!
ΕΠΙΤΕΛΟΥΣ ΕΝΑ ΣΟΒΑΡΟ ΒΗΜΑ ΓΙΑ ΤΗΝ ΚΑΤΑΔΙΚΗ ΤΩΝ ΠΑΙΔΕΡΑΣΤΩΝ
may the force be with you
Copyright © Demetrios the Traveler
έγραψε ο
brexians
στις
11:44
1 σχολίασαν
21.11.07
6.11.07
Gattaca η καπιταλιστικη ουτοπια που ειναι κοντα.
The science fiction movie Gattaca is a piece of modern dystopic writing, speculating on a future in which humankind has used a new-found mastery over the human genome to create better, faster, stronger, more-long-lived humans.
Several ideas found within the movie have their roots in earlier utopian writings, but Andrew Niccol, the director of the film, shows the possible dystopic consequences that could take place if these ideas are enacted. The mood and design of the movie are reminiscent of several utopias that place emphasis on a (spartan) spirit, in which individual wants and desires are denied.
In addition, the main theme of the movie focuses on the consequences of genetic engineering, which relates to the utopian idea of eugenics, on personal freedom and in creating a new kind of discrimination. Webster’s New World College Dictionary defines eugenics as (the movement devoted to improving the human species through the control of hereditary factors in mating).
This idea has been present in much of utopian literature throughout history.
In Republic, Plato advocates a selective breeding program in order to create the best humans possible. Thus, the idea of eugenics stretches back over 2000 years in utopian literature.
Campanella, in The City of the Sun, written during the Renaissance, also applied a eugenics program to his perfect world (the Prince of Love) sees that men and women are so joined together, that they bring forth the best offspring. People must be selectively bred, just like horses, cattle or dogs (Plato 34).
This focus on breeding better and better humans is also found within modern utopian works. The idea of eugenics is at the very center of Gattaca.
Niccol takes the idea of eugenics a step further in Gattaca. He follows an idea found in much of science fiction literature in which instead of tinkering with the offspring of humans through breeding programs in which humans are matched up with mates that will reinforce or enhance desired qualities, geneticists tinker with the very genetic material of two people to create children that surpass what nature could do alone.
The people are not matched up by selective breeding, but the genes are selectively chosen. Genetic engineering is used to eliminate diseases; instead of dropping people with genetic diseases out of the gene pool, as eugenics would, the geneticists get rid of the bad genes responsible for these diseases (or even genes that predispose people to develop diseases. In addition, the geneticists can also create children who are enhanced. Instead of just selecting genes for the purpose of eliminating diseases, the scientists go beyond this to select genes for height, weight, intelligence, and longevity) creating designer children. The methods used to do this are partly dependent on what parents can afford to pay and their own morals or ethics (Gattaca: Production Notes).

Part of what makes the movie, Gattaca, a dystopian vision of the future is the dependence on money to create perfect children and the system of inequality that this system causes. The movie clearly shows a capitalist future. In Gattaca, you get what you pay for; if people choose to pay, they can have super-children with genes carefully selected to provide superior intelligence and physical capabilities.
If parents choose not to pay for genetic tinkering at all, if they choose to have a child the natural way, then their children are branded (in-valid) disqualifying them for excellent jobs and bright futures. Children that are born without genetic tinkering are inferior, with higher incidences of diseases, ailments, and lower IQs , in short they are no longer competitive against the (valid) children who have been carefully constructed to give them every advantage their parents genes could possible provide.

This idea of (valid) and (in-valid) people is part of everyday life in the world of Gattaca. You must be (valid) in order to attain certain jobs. For instance, to be hired at Gattaca, the space agency in the movie, as a potential astronaut, the applicant must be (valid.) In actuality the applicant must be better than just (valid.) Therefore, a person’s genes decide what kind of job the person can attain, and therefore how much money a person will make. An (in-valid) person may be hired as a janitor at Gattaca, but that is the only way across the threshold for such a person. (In-valids) are a new genetic underclass considered inferior because of their genes, they are judged as next-to worthless before even being given a chance due to their genetic profile. (In-valids) do the dirty work in this future vision, and in general, society as a whole believes that these inferior people should stay in their place - at the bottom of the hierarchy. This means that those with the money to pay for it can have the (best) children with the most competitive advantages, while those that can’t pay for genetic designing will have less competitive children. Therefore, the system of inequality perpetuates itself because an (in-valid) will not have the money to pay for top-quality genetic engineering for their children.

This system also severely limits personal freedoms in several ways. This limitation on personal freedom is also in the utopian vein, but in Gattaca, the vision is clearly shown through a dystopic lens. Many utopian writers, including Plato, More, and Campanella, advocate limiting personal freedom in order to create a more harmonious society. In Gattaca, the stifling effects of these limitations are illustrated. The main character, Vincent, is an (in-valid) who dreams of leaving earth and exploring space. However, he is not free to pursue this dream, because no matter how hard he studies, how good he becomes, he will never get the chance to follow his dreams because his genes are not (valid.) As one character says in the movie,
No one exceeds his potential, meaning their genetic potential.

When contrasted with other science fiction works that also use genetic engineering to make better humans, it becomes apparent just how dystopic Gattaca is. Robert A. Heinlein and other science fiction authors have also played with the idea of genetic engineering, but in a more utopic vein. In Time Enough For Love, Heinlein explores a world where genetic engineering creates healthier, longer-lived humans, with none of the downsides displayed in Gattaca. People are allowed the freedom to be whoever they want, to try anything, without any restrictions due to their DNA, besides those imposed on breeding to prevent genetic diseases (Heinlein 384). While both Heinlein and Niccols play with the enlightenment ideal that science and rationality can make better humans and better worlds - surpassing what nature could do alone, Heinlein sees a rosier future stretching up, full of possibility, while Niccols keeps his eyes on the downfalls and traps that could lead to corruption and a dystopic future.

Works Cited
Agnes, Michael, ed. Webster�s New World College Dictionary, Fourth Edition. New York: Macmillan, 1999. 490.
Gattaca. Dir. Andrew Niccols. Columbia Pictures, 1997.
Gattaca: Production Notes. 1997. Columbia TriStar Interactive. 2 March 2003
<http://www.sonypictures.com/Pictures/SonyMovies/movies/Gattaca/the_film/production_notes.htm>.
Heinlein, Robert A. Time Enough for Love. New York: Ace, 1988.
Plato. Republic. The Utopia Reader. Eds. Gregory Claeys and Lyman Tower Sargent. New York: New York UP, 1999. 27-56.


Φανταστείτε έναν κόσμο όπου οι γονείς θα μπορούσαν να επιλέξουν τα χαρακτηριστικά των παιδιών τους ή ακόμη τις σωματικές και πνευματικές τους ικανότητες με μία και μόνο απλή παρέμβαση στο DNA τους. Αυτόν το κόσμο μας παρουσιάζει η ταινία Gattaca που για πολλούς απεδείχθη προφητική μετά τα άλματα της επιστήμης στον τομέα της γενετικής τα τελευταία χρόνια. Σε έναν τέτοιο κόσμο οι “γενετικά τέλειοι” άνθρωποι κατέχουν όλες τις εξέχουσες θέσεις και έχουν πολύ περισσότερες ευκαιρίες, παραγκωνίζοντας τους “φυσιολογικούς” ανθρώπους που αναγκάζονται να αντιμετωπίσουν την περιθωριοποίηση και τον στιγματισμό από το υπόλοιπο κοινωνικό τους σύνολο.Ένας από αυτούς είναι και ο Βίνσεντ, ο οποίος έχει σαν όνειρο να ταξιδέψει στο διάστημα. Για να πραγματοποιηθεί, όμως, αυτό θα πρέπει να γίνει μέλος της εταιρίας Gattaca, ενός οργανισμού που απαρτίζεται από τους “ξεχωριστούς” και “τέλειους” ανθρώπους και οργανώνει διαστημικές αποστολές. Ο Βίνσεντ, όμως, λόγω της μεγάλης του μυωπίας και ενός σοβαρού προβλήματος στη καρδιά του είναι αδύνατο να εισχωρήσει σε αυτόν τον οργανισμό. Τη λύση τότε προσφέρει ο Τζερόμ, ένα πρώην μέλος της “ανώτερης” τάξης ανθρώπων που είναι πλέον καθηλωμένος σε αναπηρικό καροτσάκι, ο οποίος δέχεται να αλλάξει ταυτότητα με τον Βίνσεντ προκειμένου να τον βοηθήσει. Έτσι με η βοήθεια του ο Βίνσεντ εισχωρεί στην εταιρία κερδίζοντας συνεχώς έδαφος, έως ότου ένας φόνος απειλεί να αποκαλύψει την πραγματική του ταυτότητα.Ο Άντριου Νίκολ πραγματεύεται το θέμα με πολύ προσοχή και εμβαθύνει στην κοινωνική ανισότητα και στον ρατσισμό που αναπτύσσονται, ενώ παράλληλα συνδυάζει και το πνεύμα της ταινίας με τις φοβίες των σημερινών ανθρώπων μπροστά στις συνέπειες που μπορεί να φέρει η απερίσκεπτη παρέμβαση στους κανόνες της φύσης. Η ταινία κάνει επίσης και έναν υπαινιγμό στην εξέλιξη της τεχνολογίας και την επέμβαση της με σκοπό να απαλείψει κάθε ψεγάδι ή ελάττωμα κάνοντας το καθετί τέλειο, δημιουργώντας, όμως, ταυτόχρονα μια εικόνα, μια εντύπωση του απόκοσμου, του λιγότερου ανθρώπινου.Σε αυτή την μελλοντική σύνθεση ο σκηνοθέτης δίνει και μια νότα του παρελθόντος. Έτσι έχουμε έντονη την παρουσία στην ταινία στοιχείων της δεκαετίας του 40, κυρίως στον ενδυματολογικό χώρό, αλλά επίσης και στην εξέλιξη της πλοκής που θυμίζει νουάρ.
May the force be with you
Copyright © Demetrios the Traveler
έγραψε ο
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10:58
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3.11.07
ερωτικό ή πορνό;...........erotic or porn?





erotic or porn, we would like to hear you............




Copyright © Demetrios the Traveler
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11:11
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